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원제 · Photography Trip Planning — Research-Backed Itinerary Builder

사용 툴: Claude원문 작성자 표기

프롬프트 원문

# Photography Trip Planning Prompt
## Reusable Template for Travel Photographers
### v4.0

---

> **Two ways to use this template:**
>
> **Lightweight mode** — Skip all sections marked `[OPTIONAL]` and the entire Technical Notes section. Fill in your style profile and trip details, then ask Claude for a text-based research brief and day-by-day schedule. No scripting required.
>
> **Full production mode** — Use every section. Claude will produce a PowerPoint slide deck (via Node.js + pptxgenjs), an Excel workbook (via Python + openpyxl), and Google Maps CSVs — all color-coded and QA'd. Requires comfort running scripts from the command line.
>
> In both modes: fill in every section marked `[FILL IN]`. Sections marked `[EXAMPLE]` show what a completed entry looks like — replace them with your own details. Sections marked `[OPTIONAL]` can be removed if not relevant to your workflow.

---

## WHO I AM

I am a travel photographer planning a trip [with / without] a companion. My name is [FILL IN]. I shoot with [FILL IN — e.g., Canon EOS R5 and Sony A7IV]. My lens kit for travel: [FILL IN — e.g., 16-35mm wide, 24-70mm standard, 100mm macro]. I travel with [FILL IN — e.g., a carbon fiber travel tripod / no tripod / a compact gorilla-pod]. My carry system is [FILL IN — e.g., a chest rig with Peak Design clips to secure cameras to the straps / a camera backpack with a cube insert].

> [EXAMPLE]: I shoot with a Canon 5D Mark II and Canon EOS-R with EF adapter. Lens kit: 16-35mm (primary workhorse), 24-105mm (street/mid-range), 100mm macro (details/close work). Carry system: a Condor Stowaway chest rig with two Peak Design clips. No ND filters on this trip.

---

## MY PHOTOGRAPHIC STYLE

This is the most important section. Read it carefully before suggesting any locations.

**The core subject:** [FILL IN — Describe the through-line of your work. What do you photograph and why? What draws you to a subject?]

> [EXAMPLE]: I photograph things that endure — structures, landscapes, and moments that exist outside of time. The through-line across my work is things built or lived in that now outlive their original purpose, still standing.

**Technical signatures:** [FILL IN — List your consistent compositional and technical choices.]

> [EXAMPLE]:
> - Symmetrical or near-symmetrical composition with a strong central vanishing point
> - Low angle or looking straight up to exaggerate scale and eliminate horizon — I do this consistently
> - A single human figure used for scale, not as the primary subject
> - Long exposure or slow shutter to pull motion out of water, clouds, and crowds
> - B&W for structural, industrial, and decay subjects; color when the palette itself is the subject
> - Strong tonal contrast — I print dark
> - The underside, interior skeleton, and structural bones of things interest me more than facades

**Recurring subject categories:** [FILL IN — List the types of places and subjects you consistently seek out.]

> [EXAMPLE]:
> - Decay and abandonment — things that have outlived their purpose (plane wrecks, ruined churches, abandoned institutions)
> - Sacred spaces with weight and edge — not pretty churches, spaces where something happened
> - Old-meets-industrial juxtapositions (ancient marble in a power plant, Roman columns in a modern piazza)
> - Underground and subterranean spaces — crypts, tunnels, ancient layers beneath modern cities
> - Geometric structural form — bridges, piers, arches, repeating elements
> - Quiet and empty streets — I shoot before crowds arrive
> - Atlas Obscura-type locations — the unusual, the hidden, the forgotten

**What I consistently avoid:** [FILL IN — List what you do not want recommended.]

> [EXAMPLE]:
> - Postcard framing of famous places
> - Posed subjects
> - Soft or sentimental light
> - Crowded tourist spots as primary targets
> - Markets as planned stops (open to stumbling upon them)

---

## TRAVEL COMPANION [OPTIONAL]

[FILL IN or delete this section] — If you are traveling with a companion, describe their interests here so Claude can build a plan that works for both of you, not a photographer's itinerary with someone along for the ride.

> [EXAMPLE]: My partner travels with me for the entire trip. They enjoy boutique shopping, aperitivo culture, neighborhood wandering, and unusual cultural experiences including ossuaries and catacombs. They are game for unusual locations. Nearly all photography targets are shared experiences — they are present for the vast majority of shoots, not waiting elsewhere. The only genuinely solo time is pre-dawn sessions. Build shared experiences into the plan, not a parallel track.

**On adventure and physical effort:** By default, a fully researched, ticketed, pre-scheduled itinerary can feel risk-free and passive — nothing left to chance, no physical exertion, no uncertainty. If a harder, more physically engaged way to reach a location exists (climbing down to a site instead of taking a boat, hiking a trail instead of driving), surface it explicitly as a choice rather than silently defaulting to the easier option. Don't just describe the harder option — check the return logistics too (e.g., if hiking down from a summit, where does the car end up, and how do you get back to it?).

**On fatigue:** Don't assume unlimited energy across a multi-city trip. Calculate the cumulative load of pre-dawn shoots, jet lag, and daily walking distance, and flag when a trip has no genuine rest morning built in. A trip with five excellent pre-dawn sessions beats one with six mediocre ones. Recommend at least one no-alarm, fully unplanned rest morning roughly mid-trip, not just on arrival day.

---

## THE TRIP

**Destination:** [FILL IN — e.g., "Italy: Rome, Venice, Milan"]
**Departure:** [FILL IN — e.g., "LAX, Sept 16, 3:05 PM"]
**Return:** [FILL IN — e.g., "LIN (Milan Linate), Sept 28, 9:50 AM"]
**Outbound arrival:** [FILL IN — e.g., "FCO (Rome), Sept 17, 2:05 PM"]
**Cities and nights:** [FILL IN — e.g., "Rome 3 nights, Venice 3 nights, Milan 3 nights"]
**City-to-city transport:** [FILL IN — e.g., "Frecciarossa train, targeting ~5 PM arrival at each new city to protect the outgoing city's final morning"]
**Base neighborhoods:** [FILL IN, or ask Claude to recommend based on shooting targets and companion interests]

---

## WHAT I WANT CLAUDE TO BUILD

### 1. PowerPoint Slide Deck [OPTIONAL — requires Node.js and pptxgenjs]

> This deliverable is for users comfortable running Node.js scripts. If you want a simpler output, replace this section with a request for a formatted document or text plan.

**Format:** LAYOUT_WIDE (13.3 x 7.5 inches), built with pptxgenjs in Node.js. Dark navy background with gold accent text on divider and reference slides. Off-white background on content/schedule slides. Version number on cover and filename.

**Badges/flags on slide header or inline:**
- Red badge: "★ ADVANCE BOOKING REQUIRED" — for locations requiring pre-purchase tickets
- Green badge: "★ ATLAS OBSCURA" — for unusual/hidden locations in that spirit
- Gold banner: "SHARED EXPERIENCE" — for meaningful shared visits
- Dark red badge: "⊘ PHOTOGRAPHY PROHIBITED" — only after direct verification (see Location Research Standards)
- Dark red badge on High Viewpoints cards: "⊘ CONFIRMED CLOSED" — for viewpoints that no longer exist or have shut down

**Slides to include:**
- Cover (trip title, cities, dates, version number)
- Trip overview (card layout, one card per city stop with dates/nights/base)
- Photography approach (style summary, gear)
- Schedule color legend
- For each city:
  - City section divider (full dark background)
  - Light timing table (blue hour start, sunrise, golden hour AM, golden hour PM, sunset, blue hour end — calculated with Python astral library, exact coordinates, actual trip dates)
  - Base camp slide (why this neighborhood, proximity to shooting targets, highlights nearby, transit)
  - Location slides for each confirmed shooting target: About / Shot List (4–5 shots) / Unconventional Perspectives (3–4 angles), plus a Key Notes bar (hours, access, cost)
  - High Viewpoints slide (card layout, 3 viewpoints; flag confirmed closures; distinguish true post-sundown viewpoints from golden-hour-only ones that close before dark)
  - Daily schedule — combine all days for a city onto a single slide; only split to a continuation slide if the content would actually overflow the slide height. Do not split preemptively at a fixed row count.
- Time Allocation pie chart (hours by category, pulled from actual schedule data)
- Tickets and booking slide (3 columns: book in advance / pay on day / free)
- Gear list slide (cameras, lenses, support, carry system, accessories, notes on where tripods/photography are restricted)
- Aperitivo/food bars slide — specific named bars by city, local picks only, with address and description. These are options spread across multiple evenings, not a single-night bar crawl.
- Train/transport connections summary slide [OPTIONAL]
- **Appendix — Shot Diagrams:** plan-view and cross-section schematics for every photography location. Camera position (red dot), shooting direction (dashed line), field-of-view cone (dotted lines), recommended lens, all numbered to match the location's shot list. Every plan-view diagram must include a north arrow/compass indicator. Cross-section diagrams (showing vertical relationships like a flooded crypt or a cliff-face) don't need one.

**Schedule color coding (7 categories):**
- Pre-Dawn Shoot / Photography: dark navy bg, light blue text
- Aperitivo: dark purple bg, light purple text
- Shared Activity: dark gold bg, light gold text
- Free / Optional: dark green bg, light green text
- Travel / Arrival: dark gray bg, light gray text
- Rest / Checkout: medium gray bg, light gray text
- Advance Booking Required: dark red bg, light red text
- (Sunset/golden-hour blocks can get a dark-orange variant if useful)

---

### 2. Excel Workbook [OPTIONAL — requires Python and openpyxl]

**Master tab — ask which format the person wants:**
- **List format:** chronological rows (Date, Day, City, Time, Activity, Category, Duration, Notes), one row per activity across the whole trip.
- **Calendar grid format:** horizontal week view — all trip days as columns left to right, a shared time axis down both sides (e.g. 5:00 AM–10:30 PM in 30-minute rows), each activity rendered as a color-coded block merged vertically across the rows it spans. Travel/transition-day columns get a visually distinct header and background tint. Sunrise, sunset, blue hour, and golden hour rows are highlighted on the time axis (label as trip-average approximations with a footnote — point to per-city Light Timing slides for precision). One sheet, all days, no tab splits.

One tab per city (vertical day-by-day format regardless of which Master style is chosen), plus a Legend tab.

Same color coding as schedule slides. Freeze panes, hide gridlines, auto-filter on header rows where the sheet is a flat list. Include a Duration column.

---

### 3. Google Maps CSVs — one per city [OPTIONAL]

Columns: Name, Description, Category, Best Time, Latitude, Longitude, Address.

**Critical:** Use Python csv.writer with utf-8 encoding. No special characters — plain ASCII only, with explicit character substitution (e.g. é→e, —→--, '→'). Verify coordinates before including.

Categories: Shooting Location, Shared Activity, Base, High Viewpoint, Transit, Optional Day Trip, CLOSED - DO NOT USE, Atlas Obscura Optional.

**File naming convention:** [destination]-trip-[year]-v[N].pptx / .xlsx / [city]-locations-v[N].csv. Increment the version number on every rebuild, and keep the deck, workbook, and all CSVs at the same version number even if only one file changed — rename/re-copy unchanged files so the full deliverable set stays in sync.

---

## LOCATION RESEARCH STANDARDS

### For each shooting location, provide:
1. **Description** — what it is, why it matters photographically, best conditions, connection to my style profile wher

‹ 라이브러리로

# Photography Trip Planning Prompt ## Reusable Template for Travel Photographers ### v4.0 --- > **Two ways to use this template:** > > **Lightweight mode** — Skip all sections marked `[OPTIONAL]` and the entire Technical Notes section. Fill in your style profile and trip details, then ask Claude for a text-based research brief and day-by-day schedule. No scripting required. > > **Full production mode** — Use every section. Claude will produce a PowerPoint slide deck (via Node.js + pptxgenjs), an Excel workbook (via Python + openpyxl), and Google Maps CSVs — all color-coded and QA'd. Requires comfort running scripts from the command line. > > In both modes: fill in every section marked `[FILL IN]`. Sections marked `[EXAMPLE]` show what a completed entry looks like — replace them with your own details. Sections marked `[OPTIONAL]` can be removed if not relevant to your workflow. --- ## WHO I AM I am a travel photographer planning a trip [with / without] a companion. My name is [FILL IN]. I shoot with [FILL IN — e.g., Canon EOS R5 and Sony A7IV]. My lens kit for travel: [FILL IN — e.g., 16-35mm wide, 24-70mm standard, 100mm macro]. I travel with [FILL IN — e.g., a carbon fiber travel tripod / no tripod / a compact gorilla-pod]. My carry system is [FILL IN — e.g., a chest rig with Peak Design clips to secure cameras to the straps / a camera backpack with a cube insert]. > [EXAMPLE]: I shoot with a Canon 5D Mark II and Canon EOS-R with EF adapter. Lens kit: 16-35mm (primary workhorse), 24-105mm (street/mid-range), 100mm macro (details/close work). Carry system: a Condor Stowaway chest rig with two Peak Design clips. No ND filters on this trip. --- ## MY PHOTOGRAPHIC STYLE This is the most important section. Read it carefully before suggesting any locations. **The core subject:** [FILL IN — Describe the through-line of your work. What do you photograph and why? What draws you to a subject?] > [EXAMPLE]: I photograph things that endure — structures, landscapes, and moments that exist outside of time. The through-line across my work is things built or lived in that now outlive their original purpose, still standing. **Technical signatures:** [FILL IN — List your consistent compositional and technical choices.] > [EXAMPLE]: > - Symmetrical or near-symmetrical composition with a strong central vanishing point > - Low angle or looking straight up to exaggerate scale and eliminate horizon — I do this consistently > - A single human figure used for scale, not as the primary subject > - Long exposure or slow shutter to pull motion out of water, clouds, and crowds > - B&W for structural, industrial, and decay subjects; color when the palette itself is the subject > - Strong tonal contrast — I print dark > - The underside, interior skeleton, and structural bones of things interest me more than facades **Recurring subject categories:** [FILL IN — List the types of places and subjects you consistently seek out.] > [EXAMPLE]: > - Decay and abandonment — things that have outlived their purpose (plane wrecks, ruined churches, abandoned institutions) > - Sacred spaces with weight and edge — not pretty churches, spaces where something happened > - Old-meets-industrial juxtapositions (ancient marble in a power plant, Roman columns in a modern piazza) > - Underground and subterranean spaces — crypts, tunnels, ancient layers beneath modern cities > - Geometric structural form — bridges, piers, arches, repeating elements > - Quiet and empty streets — I shoot before crowds arrive > - Atlas Obscura-type locations — the unusual, the hidden, the forgotten **What I consistently avoid:** [FILL IN — List what you do not want recommended.] > [EXAMPLE]: > - Postcard framing of famous places > - Posed subjects > - Soft or sentimental light > - Crowded tourist spots as primary targets > - Markets as planned stops (open to stumbling upon them) --- ## TRAVEL COMPANION [OPTIONAL] [FILL IN or delete this section] — If you are traveling with a companion, describe their interests here so Claude can build a plan that works for both of you, not a photographer's itinerary with someone along for the ride. > [EXAMPLE]: My partner travels with me for the entire trip. They enjoy boutique shopping, aperitivo culture, neighborhood wandering, and unusual cultural experiences including ossuaries and catacombs. They are game for unusual locations. Nearly all photography targets are shared experiences — they are present for the vast majority of shoots, not waiting elsewhere. The only genuinely solo time is pre-dawn sessions. Build shared experiences into the plan, not a parallel track. **On adventure and physical effort:** By default, a fully researched, ticketed, pre-scheduled itinerary can feel risk-free and passive — nothing left to chance, no physical exertion, no uncertainty. If a harder, more physically engaged way to reach a location exists (climbing down to a site instead of taking a boat, hiking a trail instead of driving), surface it explicitly as a choice rather than silently defaulting to the easier option. Don't just describe the harder option — check the return logistics too (e.g., if hiking down from a summit, where does the car end up, and how do you get back to it?). **On fatigue:** Don't assume unlimited energy across a multi-city trip. Calculate the cumulative load of pre-dawn shoots, jet lag, and daily walking distance, and flag when a trip has no genuine rest morning built in. A trip with five excellent pre-dawn sessions beats one with six mediocre ones. Recommend at least one no-alarm, fully unplanned rest morning roughly mid-trip, not just on arrival day. --- ## THE TRIP **Destination:** [FILL IN — e.g., "Italy: Rome, Venice, Milan"] **Departure:** [FILL IN — e.g., "LAX, Sept 16, 3:05 PM"] **Return:** [FILL IN — e.g., "LIN (Milan Linate), Sept 28, 9:50 AM"] **Outbound arrival:** [FILL IN — e.g., "FCO (Rome), Sept 17, 2:05 PM"] **Cities and nights:** [FILL IN — e.g., "Rome 3 nights, Venice 3 nights, Milan 3 nights"] **City-to-city transport:** [FILL IN — e.g., "Frecciarossa train, targeting ~5 PM arrival at each new city to protect the outgoing city's final morning"] **Base neighborhoods:** [FILL IN, or ask Claude to recommend based on shooting targets and companion interests] --- ## WHAT I WANT CLAUDE TO BUILD ### 1. PowerPoint Slide Deck [OPTIONAL — requires Node.js and pptxgenjs] > This deliverable is for users comfortable running Node.js scripts. If you want a simpler output, replace this section with a request for a formatted document or text plan. **Format:** LAYOUT_WIDE (13.3 x 7.5 inches), built with pptxgenjs in Node.js. Dark navy background with gold accent text on divider and reference slides. Off-white background on content/schedule slides. Version number on cover and filename. **Badges/flags on slide header or inline:** - Red badge: "★ ADVANCE BOOKING REQUIRED" — for locations requiring pre-purchase tickets - Green badge: "★ ATLAS OBSCURA" — for unusual/hidden locations in that spirit - Gold banner: "SHARED EXPERIENCE" — for meaningful shared visits - Dark red badge: "⊘ PHOTOGRAPHY PROHIBITED" — only after direct verification (see Location Research Standards) - Dark red badge on High Viewpoints cards: "⊘ CONFIRMED CLOSED" — for viewpoints that no longer exist or have shut down **Slides to include:** - Cover (trip title, cities, dates, version number) - Trip overview (card layout, one card per city stop with dates/nights/base) - Photography approach (style summary, gear) - Schedule color legend - For each city: - City section divider (full dark background) - Light timing table (blue hour start, sunrise, golden hour AM, golden hour PM, sunset, blue hour end — calculated with Python astral library, exact coordinates, actual trip dates) - Base camp slide (why this neighborhood, proximity to shooting targets, highlights nearby, transit) - Location slides for each confirmed shooting target: About / Shot List (4–5 shots) / Unconventional Perspectives (3–4 angles), plus a Key Notes bar (hours, access, cost) - High Viewpoints slide (card layout, 3 viewpoints; flag confirmed closures; distinguish true post-sundown viewpoints from golden-hour-only ones that close before dark) - Daily schedule — combine all days for a city onto a single slide; only split to a continuation slide if the content would actually overflow the slide height. Do not split preemptively at a fixed row count. - Time Allocation pie chart (hours by category, pulled from actual schedule data) - Tickets and booking slide (3 columns: book in advance / pay on day / free) - Gear list slide (cameras, lenses, support, carry system, accessories, notes on where tripods/photography are restricted) - Aperitivo/food bars slide — specific named bars by city, local picks only, with address and description. These are options spread across multiple evenings, not a single-night bar crawl. - Train/transport connections summary slide [OPTIONAL] - **Appendix — Shot Diagrams:** plan-view and cross-section schematics for every photography location. Camera position (red dot), shooting direction (dashed line), field-of-view cone (dotted lines), recommended lens, all numbered to match the location's shot list. Every plan-view diagram must include a north arrow/compass indicator. Cross-section diagrams (showing vertical relationships like a flooded crypt or a cliff-face) don't need one. **Schedule color coding (7 categories):** - Pre-Dawn Shoot / Photography: dark navy bg, light blue text - Aperitivo: dark purple bg, light purple text - Shared Activity: dark gold bg, light gold text - Free / Optional: dark green bg, light green text - Travel / Arrival: dark gray bg, light gray text - Rest / Checkout: medium gray bg, light gray text - Advance Booking Required: dark red bg, light red text - (Sunset/golden-hour blocks can get a dark-orange variant if useful) --- ### 2. Excel Workbook [OPTIONAL — requires Python and openpyxl] **Master tab — ask which format the person wants:** - **List format:** chronological rows (Date, Day, City, Time, Activity, Category, Duration, Notes), one row per activity across the whole trip. - **Calendar grid format:** horizontal week view — all trip days as columns left to right, a shared time axis down both sides (e.g. 5:00 AM–10:30 PM in 30-minute rows), each activity rendered as a color-coded block merged vertically across the rows it spans. Travel/transition-day columns get a visually distinct header and background tint. Sunrise, sunset, blue hour, and golden hour rows are highlighted on the time axis (label as trip-average approximations with a footnote — point to per-city Light Timing slides for precision). One sheet, all days, no tab splits. One tab per city (vertical day-by-day format regardless of which Master style is chosen), plus a Legend tab. Same color coding as schedule slides. Freeze panes, hide gridlines, auto-filter on header rows where the sheet is a flat list. Include a Duration column. --- ### 3. Google Maps CSVs — one per city [OPTIONAL] Columns: Name, Description, Category, Best Time, Latitude, Longitude, Address. **Critical:** Use Python csv.writer with utf-8 encoding. No special characters — plain ASCII only, with explicit character substitution (e.g. é→e, —→--, '→'). Verify coordinates before including. Categories: Shooting Location, Shared Activity, Base, High Viewpoint, Transit, Optional Day Trip, CLOSED - DO NOT USE, Atlas Obscura Optional. **File naming convention:** [destination]-trip-[year]-v[N].pptx / .xlsx / [city]-locations-v[N].csv. Increment the version number on every rebuild, and keep the deck, workbook, and all CSVs at the same version number even if only one file changed — rename/re-copy unchanged files so the full deliverable set stays in sync. --- ## LOCATION RESEARCH STANDARDS ### For each shooting location, provide: 1. **Description** — what it is, why it matters photographically, best conditions, connection to my style profile wher