컬러 워킹: 모노크롬 거리의 각성

결과

원작 게시물에서 영상 보기 ↗

제작 · AIライフハック · 영상과 장면의 저작권은 제작자에게 있으며, 원작 주소에서 불러옵니다. 원작 보기

[Output Specifications] Generate one simple character sheet. Aspect ratio is fixed at 16:9. Generate only one completed image. Do not include text, titles, labels, numbers, logos, descriptions, borders, or decorations. Do not generate poster-style designs, magazine-style designs, production processes, comparison images, or split-comparison layouts.
[Input] Attach exactly one completed anchor image simultaneously with this instruction document. Use the attached image as the sole reference for person, face, hair, body type, and costume.
[Purpose] Create a simple and easy-to-view 16:9 character sheet suitable for video production, while accurately maintaining the person and costume from the anchor image. This serves as a reference material to confirm the three-dimensional structure of the person and costume, as well as facial features and hair impressions.
[Composition] Arrange a total of 6 views within one 16:9 screen. From left to center, place full-body three-view drawings horizontally in the order of 'Front Full Body / Side Full Body / Back Full Body'. On the right side of the screen, place face close-ups vertically in the order of 'Slightly Left-facing / Front-facing / Slightly Right-facing' from top to bottom.
[Person Identity] Maintain the facial features, eyes, nose bridge, mouth, contour, age impression, skin, hairstyle, hair color, hair length, bangs, body type, height impression, head-to-body ratio, shoulder width, torso width, waist width, leg length, and leg thickness of the person in the anchor image. Naturally align all full-body three-view drawings and the three face close-ups as the same person.
[Full-Body Three-View Drawings] Unify the full-body three-view drawings as the same person viewed from 3 directions, ensuring they fit completely from crown to feet without cropping. Using the costume in the anchor image as the primary reference, maintain consistency as much as possible regarding collar, sleeves, chest area, torso part, waist decoration, skirt/bottom length, slit position, fabric layers, color, pattern, texture, and shoe shape. The front view should be reproduced most faithfully based on the person and costume in the anchor image. The side view should be a natural true profile showing the three-dimensional structure of the person and costume. The back view should naturally reconstruct the back of the hair, shoulders, back, back of the costume, legs, and heels of shoes. For the side and back views, unseen parts in the anchor image may be estimated and supplemented, but must not contradict the front view.
[Face Close-ups] Use the anchor image as the primary reference for face close-ups, maintaining the facial features, eyes, nose bridge, mouth, hairstyle, hair color, and atmosphere of the referenced person as much as possible. Naturally align the three face close-ups as the same person. Ensure hair flow and facial surroundings do not contradict the anchor image. Costume collars and shoulder areas may be partially visible, but prioritize facial confirmation. 'Slightly Left-facing' and 'Slightly Right-facing' should not be complete profiles, but rather light angles sufficient to discern facial features.
[Pose] All three full-body views must have a neutral standing posture. The front view faces directly forward, arms slightly away from the body and lowered naturally, legs standing with slight spacing. The side view shows the posture from directly sideways, ensuring arms do not completely hide the torso outline. The back view faces completely backward, without turning the face towards the camera. Do not take characteristic poses; prioritize structural confirmation of the body and costume.
[Background] Background is plain bright white or very light gray. Do not include decorations or patterns. Keep floor representation minimal to prioritize person confirmation.
[Layout] Use approximately 3/4 of the screen width for the full-body three-view drawings and 1/4 for the vertical stack of 3 face close-ups. Ensure the three full-body figures are large enough to be the main focus by using a wide horizontal area from left to center, and arrange the three face close-ups evenly spaced vertically on the right side. Ensure no interference between full-body and face views, creating a composition that facilitates both costume and facial confirmation. Ensure adequate margins so each view is sufficiently visible.
[Overall Tone] Simple, clean, practical. Easy to view as video production material, prioritizing structural confirmation of person and costume. Do not turn into a design poster.
[Prohibitions] Text, titles, labels, numbers, logos, descriptions, decorative frames, background effects, poster-style effects, excessive shadow effects, different personization, costume changes, color scheme changes, oversimplification of patterns, characteristic poses, crossed legs, raised arms, layouts where full-body three-view drawings are too small, layouts where face close-ups are arranged horizontally, structures in side/back views that contradict the front view, missing limbs, overlapping persons.

[DECLARATION]
PHOTOREAL CINEMATIC FASHION FILM. Total duration 15 seconds, aspect ratio 1:1. A live-action short film of a woman walking through a colorless black-and-white city. She is the only thing in color in the world; with each step, the three colors of her skirt transfer to the city as vertical bands. Finally, when she spins, color returns throughout the city, ending in a quiet afterglow. Connect 9 cuts rhythmically.

[REFERENCE]
<image1> is the protagonist woman. This image is a setting reference depicting her alone from front, side, back, and face (3 directions). Face, hairstyle, body type, costume, and boots are as depicted in this image. Hereafter referred to as 'the protagonist'.

[CONDITION]
This is an old stone city with a round plaza ahead of cobblestone streets. Tall buildings line both sides of the street, all losing their color like old black-and-white photos. Sky, walls, cobblestones, and florist flowers are a world made only of shades of gray, with only clear daylight casting quiet shadows. The protagonist walks alone through it with calm steps. Only her figure remains in natural color, and the Rose Red, Amber Orange, and Sky Blue stripes on her skirt appear the most vivid in this city. When the protagonist's boots step on the cobblestones, straight bands of the same three colors with sharp edges emerge from underfoot, running along the ground and climbing vertically up the walls. Only within the bands does the city get dyed as if layered with color ink, with stone joints and window details remaining transparently visible. As if knowing the color will spread, the protagonist continues walking with a quiet, confident expression. The footage resembles a live-action fashion film shot on 35mm film, with fine grain and smoothly moving camera.

[SHOT FLOW]
[Shot 1 | 0.00~2.00s]
[START]
Wide angle looking straight down the middle of a black-and-white street. The protagonist walks towards the camera from afar. Her whole body looks small, but the three colors of the skirt stand out vividly.
[MAIN EVENT]
The protagonist continues walking towards the camera, and the camera slowly retreats backwards.
[END]
The protagonist's full body walking towards the camera.

[Shot 2 | 2.00~3.60s]
[START]
Extreme close-up from directly sideways, just above the cobblestone floor. White boots enter from the left of the frame.
[MAIN EVENT]
Boots stomp firmly on the cobblestones, echoing hard footsteps. From the stepped-on spot, three-colored bands emerge and run straight into the depth of the screen across the cobblestones.
[END]
Three colored bands extending from the feet into the distance.

[Shot 3 | 3.60~5.60s]
[START]
Wide angle viewing the protagonist from directly sideways, backed against a black-and-white building wall. The protagonist is walking from left to right in the frame.
[MAIN EVENT]
The camera moves horizontally to the right at the same speed as the protagonist. With each step, three-colored bands rise one by one from bottom to top on the wall immediately behind her.
[END]
The walking protagonist and the colored bands aligned on the wall to her left.

[Shot 4 | 5.60~7.20s]
[START]
Close-up of a florist shopfront on the street. Black-and-white flowers fill buckets.
[MAIN EVENT]
An Amber Orange band passes from the ground over the flowers, dyeing only the flowers within the band in fresh, vibrant colors.
[END]
A band of colored flowers standing among gray flowers.

[Shot 5 | 7.20~9.00s]
[START]
Close-up of the protagonist from the chest up, walking towards the camera. Black-and-white buildings line the background.
[MAIN EVENT]
The camera retreats backwards at the same speed. Colored bands rise one after another on the buildings deep to the left and right of the protagonist. A small smile appears on the protagonist's lips.
[END]
The smiling face of the protagonist and the colored bands lined up in the background.

[Shot 6 | 9.00~10.00s]
[START]
Wide angle looking straight at a black-and-white round plaza under a gray sky. The protagonist is walking into the center of the plaza.
[MAIN EVENT]
The protagonist stops and stomps once firmly on the cobblestones with her boots. The camera does not move.
[END]
The protagonist's full body standing in the center of the plaza.

[Shot 7 | 10.00~11.80s]
[START]
Viewing the protagonist in the center of the plaza from a slightly distant low angle. Her entire body fits in the frame from above her head to below her boots, with empty sky space above her head. Sky and buildings remain black-and-white.
[MAIN EVENT]
The protagonist slowly spins once in place. The hem of the pleated skirt opens widely in a circle, and the three-colored stripes spread out like a fan.
[END]
The protagonist's full body with the opened skirt hem rippling near the ground.

[Shot 8 | 11.80~13.20s]
[START]
High-angle wide shot looking down at the plaza. The protagonist stands in the center, surrounded entirely by black-and-white.
[MAIN EVENT]
Waves of three colors spread concentrically from the protagonist's feet, crossing the cobblestones, rushing up buildings and into the sky, returning natural color to the entire city.
[END]
The protagonist standing in the center of the plaza which has regained its color.

[Shot 9 | 13.20~15.00s]
[START]
Close-up from the chest up of the protagonist in the center of the plaza, facing forward. In the background, buildings and blue sky have regained natural color.
[MAIN EVENT]
The camera approaches very slowly. The protagonist quietly exhales and looks into the distance. Deep in the sky far beyond the protagonist, a few small petals flutter slowly.
[END]
The protagonist's face quietly looking into the distance amidst the light of the colored city.

[SOUND]
Single layer BGM. Light music with finger snaps and double bass, playing continuously from the first frame at 0 seconds without interruption. From the point where the protagonist spins, wind instruments join in, expanding splendidly. When color fully returns, the sound quiets down, and finally, a single note resonates long before fading silently. No dialogue or narration.

[NEGATIVE]
Text, subtitles, logos, watermarks

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